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"To
be erotic and be cool and be stylish has always been my goal."
- Hajime Sorayama. It's
a strange sensation to feel aroused by a painting. To stare longingly
into a woman's unblinking eyes. To share soft, unspoken words.
But that is just the effect bestowed by the "super-real
technique" of revered Japanese artist Hajime Sorayama. He resembles
a benign maths professor instead of a purveyor of sexually graphic
art or, to use his words,"erotic fantasy and aestheticism."
But his images of women as sexy cyborg-babes and S&M slaves for
their robot masters, both disturbing and tantalizing, have won him
cult status.
The woman and machine images, adds Sorayama,
are designed to show the contrast of organic and inorganic substances
"to express the idea of female beauty."
Painted by hand with no airbrushing, his meticulous
works, says Sorayama, bring "super-realism into the territory
of fantasy that could not be obtained by photographs." Indeed,
the images are beyond lifelike. Critics agree and he's managed to
straddle both the hardcore and mainstream markets with his unique
images. Aerosmith used one of his women on their latest album, Just
Push Play, and he designed Sony's ground-breaking AIBO robo-puppy.
George
Lucas is even a fan of his designs and asked him toSkywalker Ranch
to discuss his strange and wonderful visions. Sorayama's works appears
each month in Penthouse magazine and demand for his one-off pieces
has never been higher. One painting, portraying a vinyl-clad woman
with both a removable head and penis, recently sold for $10,500.
The 54-year-old says he admires the work of original
pin-up artist Alberto Vargas, explains: "As a kid the gorgeous
Hollywood movies stars and dazzling pin-up girls of Playboy and
later Penthouse were beyond my reach. They were like goddesses to
me and pin-up art reflected the glorious American eroticism."
Even ancient drawings on cave walls depict
women in sadistic poses whose purpose is to stimulate erotic desire.
"I like the contrast of hard metal and soft vulnerable skin.
Piercing the skin highlights the contrast more." Says
Sorayama's muse, actress-model Julie Strain, when she views his
images of her: "It's like I've died and gone to sex heaven."

Penthouse publisher Bob Guccione describes Sorayama as "an
artist of extraordinary talent, wondrous imagination and impeccable
skill."
And designer Thierry Mugler says his images "provoke incredible
sensations and melt into a unique homage to life." Sorayama
confesses his passion to paint as a youngster was like an "illness."
But like a loving creator, he says the women he paints are "born
as children of the high-tech design with no skin disease or allergy,
ignorant of the words decay."
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